Santa Barbara, California. Which would you recommend? You really expect it to go over everyone else’s products? I have a question for the experts. Some acoustics have a different wood for the top board and the body. I did consider that. Thats for me the archtype rock sound of the 70ies, but the pearly can go there too. Are you high on pot all the time? ES 335? Sometimes your guitar has a lot of mids by default, making the choice rather hard. I am lookin for a modern metal tone , without any scoops. Today, expect to see korina as a body wood in Reverend Guitars’ electric models. For more high end, certainly the Dimebucker. Just take a listen to your guitar. Solid body with a bolt on neck - this is where it started! Mahogany is a tonewood that produces a punchy growl with excellent sustain, generally favoured for punchy rock music. Acoustic guitars typically have ebony or rosewood fingerboards. The highs of the Strat and Tele are always more biting and piercing than a les Paul or SG, but the P-90 seems to soften up the highs on those guitars. The latter is a distinctly light-colored wood that has an almost satin finish. Hi guys, my na me is Theo i have a esp ltd ex-400 white explorer with emg 81/60.I was thinking to first change the neck emg with a gibson 57 plus but then i thought that my guitar has only 2 knobs,one for volume and one for tone so how is this gonna work?plus the single coil knob?After i heard about the dunkan pearly gates?which one is easier to install?or better for some blues and lead?Please help if you can. What set do you recommend for a 1990 Gibson Explorer for classic rock tones? You want a fat, tight bone crushing rhythm? http://www.oregonwildwood.com. If you want a warm, vintage-vibed-yet-raunchy tone, a Pearly Gates might work better because it has more top end to compensate for the mids. We’ve also had a bit of a look at choosing pickups with respect to the wood: what wood works best with which pickup for which style? You can’t mix active and passive pickups without some difficulty, and switching to passive pickups means you will have to change the pots, too. His previous articles are no less fundamentally flawed than this one, not to mention the vague terms that only exist in his head and the writing errors. The JB certainly doesn’t work in every guitar, as it has a very prominent midrange spike that is great for guitars like super strats with higher gain amps. Please suggest. A great pickup for the neck can be the 59 neck version for a mellow yet clear tone, while the bridge version has more sizzle and beef. Then explain to me why Invader is never used in a George Benson Ibanez. Idiot!!!! That’s mighty big of you. I’ve been trying to decide on what pickups I should go with. It has to be beautiful - legal and in the market today...sustainable.We have all those … Patrick Kluivert: I disagree. Taylor is a premium quality acoustic guitar manufacturer. Their midrange seems to compliment the mids of the guitar. The pearly gates in the bridge: that rocks really great IMHO. This article says nothing new. But the pickup that seems to work in any guitar is the P-90. The ’59neck in the neck gives you a smooth, glassy lead tone and (slightly) “sparkly” cleans. One for the body and one for the finger board. If you’ve come to the Seymour Duncan blogs to read up on Alumitones, Lace, or DiMarzio, you may be disappointed. It isn’t difficult, and each pickup comes with a wiring diagram. Electric Guitar Wood. What a dumbass article. Everything you say is already explicated in the product description of Seymour Duncan. For the second criticism: it IS a blog on the Seymour Duncan site. I do like the Jazz in the neck though it’s not too bad, but the JB seems a bit lackluster even after tweaking the pole pieces and the pickup height. You’re looking for the right balance of juiciness and clarity. The Jazz neck and bridge and the Screamin’ Demon are great all-round choices. This will yield a tone with balanced highs, mids and lows, which means this wood combination is a great clean slate to make your own tone. However, when I approached one of the guy onthe guitar shop where I bought my guitar from, he recommended the Invader for the bridge and 59 for the neck. They select their woods based on tonal quality. Thanks. For lighter, brighter tones use ash. If you are making your own guitar, your choice of wood will impact the cost, quality, sound and look of your guitar. Whilst it is good to bring all the otherwise well-known information together in one article, it is fundamentally flawed by being purely based on SD products. Take the Distortion or Dimebucker! Just take a look! But I’d rather stick to SD since SD’s pickups have more of a natural organic sound, where as EMG’s tend to have a compressed, less attack sound (this is in my opinion by the way). Hiding behind a made up name. ( I mostly play Periphery and TesseracT, but dont have the money to buy a BKP or Lundgren! It would be far more useful if the lay person had “wooly” or “chewy” defined in more specific terms with examples people can work with so they know what a wooly sound is. I’ve noticed that a Les Paul with a thick neck will have this issue sooner than a Les Paul with a thinner neck. We also have many diagrams on our site, and wonderful support in our User Group Forum. But if your guitar has more upper mids and less lower mids, get a fatter pickup like the Alnico 2 Pro neck, for juicier sounds. To build a good guitar - you need good wood! Dense, hard and strong, offering great sustain and stability. When you’ve zeroed in on what tone you have and you’ve made up your mind on what style and tone you want, it’s time to figure out the right pickup set. Electric Guitar Wood. George Lynch has signature pickups called Screaming Demons by SD. Anyways, that strip of maple is just a little wider than the base of the neck, by MAYBE 1/4 inch, and the neck is also a maple neck, with a rosewood fretboard. The bridge pup however is not to my taste really, i need something with more bite but that can compete with the big output of the ceramic neck pickup. A new pot, or maybe something more drastic like a mag swap or making a hybrid, might do the trick. We have no lipsticks, alumitones, laces or other tonally unique pickups to create a more representative palette. I’m in the process of making my own guitar, based off the explorer design. In any case, take a good listen to your guitar and your own needs, and try to understand the specs of a pickup as good as you can in order to match the spectra of the pickup and your guitar. Either way, you have to figure that part out for yourself. Solid-body electric guitars are carved from either one or two pieces of wood. the SH-11/TB-11 Custom Custom would also be a good choice The SH-1 ’59 neck is a good suggestion. Should I trust the guy? This guitar sounds dark to me even with the JB/Jazz combo. Electric guitars vary greatly in sound, look and playability. If this was a personal blog, or a site that was independent of brands, then I would hope for that (expect it if it was a review site). Its tone is highly … The sound is better, however, when it comes to the upper mid-range. The most common electric guitar neck wood. Great Wood = Great Guitar Tonewood is the term generally used to designate wood with desirable and consistent resonant qualities, used in the making of musical instruments. Seymour Duncan’s SH-6 (Distortion Mayhem), Seymour Duncan’s SH-8 (Invader), or even though it’s a different brand, the EMG 81/85 Combo. I would greatly appreciate someone else’s opinion since for once, Google, can’t help me. For heavy palm muted Chuggs , and not so crispy or penetrating highs gains. It is less grainy than rosewood. I’m looking for chuggy but clear palm muted riffing along with nice/melodic leads and solos that cut through mix. The descriptions just say what goes good in what. While the body wood influences the sustain and frequency of the sound, the top wood influences the resonance. Many players who play heavy metal and other aggressive styles play guitars with a basswood body and a maple neck. Besides the type of wood, individual pieces or blanks each have their own unique characteristics in terms of feel and tone. Light-colored woods, such as Sitka spruce or Englemann spruce, are strong for their weight with rich, bright resonance and deep overtones. Copyright © 2020 Seymour Duncan. Same deal with semi hollow? The same goes for neck pickups. It’s amazing how much difference the right tonewood and component combination can make in the sound and playability of your guitar.

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